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Here’s Why You Need to Watch Self Made on Netflix Right Now



Photography courtesy of Netflix

We spoke with Elle Johnson, the co-showrunner on the series, to find out more.

I first learned about Madam C.J. Walker over five years ago when I finally decided to relinquish my years-long loyalty to chemical relaxers and, instead, embrace my natural coils. My obsession with all things textured hair (the unique hairstyles, the proper care products) was immediate and deep research into this totally new category for me followed.

Madam C.J. Walker (née Sarah Breedlove) was an African American entrepreneur from the early 1900s who became the first female self-made millionaire in the U.S. by developing a range of haircare products for Black hair despite all the racism, misogyny and business rivalries of her time. And ever since I became aware of Walker, I’ve thought to myself that this leading beauty mogul and hair culturalist deserved to be better heralded. “Why hadn’t I ever read about Walker in one of my favourite magazines?” I immediately posed in my head.

So you can only image my excitement when I heard that streaming giant Netflix was releasing a biographical, rags-to-riches miniseries on the trailblazer called Self Made: Inspired by the Life of Madam C.J. Walker with Academy Award winner Octavia Spencer as Walker’s Hollywood stand-in. What’s more, the show, which is based on a book by Walker’s great-great-granddaughter A’Lelia Bundles, was brought to life by an all-Black and all women-led team. It’s also worth mentioning that Self Made was filmed in and around Toronto and that the outstanding hairstyles shown throughout were led by a Toronto-based film and television hairstylist.

I caught up with Self Made’s co-showrunner Elle Johnson to talk Walker, plot, beauty standards and more. Read our interview below.

What was it like working with an all-Black and all women-led team?

“It was incredible! I think one of the things we really wanted to do was empower other Black women to tell our stories. We’re in such a moment now where it feels like stories of people of colour, and women of colour, are finally being valued and sought after. We felt like this was a moment where we’d be able to hire other Black women who would be enthusiastic about this project. And I’ve got to say, that’s one of the things that really helped us through: everyone being so passionate about telling Madam C. J. Walker’s story. She’s such a legend and an iconic figure.”

Dream Team: Janine Sherman Barrois, Kasi Lemmons, Kira Kelly, Elle Johnson (in green), DeMane Davis, and Nicole Jefferson Asher and more.

What surprised you the most about Madam C. J. Walker and her life?

“Oh my God! Everything about her surprised me. I knew who she was: She’s just one of those names I feel like, as a Black woman, you just always hear about and you know that she made haircare products. But the range of her life, and how epic and complicated it was, is fascinating.

One of the things that really struck me about Madam C. J. Walker was how she was such a force within business. I knew that she had created these products and had run a business, but I actually didn’t realize that she was actually the first female millionaire in America — not just Black, or white, or any other type of women. She was the first female. And she was really on par with some of the titans of industry at the time. She at one point had 10,000 people working for her across the country, which is amazing to me. I was also floored by the fact that the way she ran her company was quite unusual. Her mission was to not only sell her products but to uplift Black women. So in hiring sales agents, and in hiring people to work in her factories and company, one of the things that she tried to stress was not only rewarding people for selling a lot, but rewarding people for giving back. She had built into her philosophy the idea that her sales agents and other people should give to charity. She would reward people who also gave back and she was an incredible philanthropist herself. She gave staggering amounts of money at the time to the YMCA in Indianapolis. I think she made a $5,000 donation, which is mind-blowing money for that period of time.

I was also stunned to learn that part of the reason she went on this journey with her hair and discovered this hair growth product was because she herself was going bald. It was interesting to read about the fact that she lived in a time period where, not just for poor people but also for everyone, indoor plumbing was not that widespread. It was kind of hard to stay clean and healthy, especially for people within the lower rungs of society like Madam C. J. Walker was when she started out. She was not able to properly clean her hair and so she had a scalp disease that had her losing her hair, and that was the process through which she figured out this formula and came to create her product line because she was going bald herself as a result of the bad hygiene at the time.”

Colourism is still a very real problem today — both within and outside of the Black community — and you introduced and tackled that discrimination practice in the miniseries. Can you speak to that?

“In the writers room, we really felt that we couldn’t do a show about Black hair and Black beauty without addressing the issue, so we wanted to explore the origins of that and understanding where Madam C. J. Walker came from helps put it into context.

She was a woman who was born two years after slavery, so she was born free, but the issues around slavery and the racism that resulted from slavery permeated her life — and Black peoples lives. Colourism is still a thing that we deal with today and it exists in any community: You see it in the Latino community, the Indian community. So we felt it was an issue that, yes specific to Blacks in the show, but also universal.

We felt it was important to explore how that effected Madam C. J. Walker and her sense of self: her sense of her own beauty and how that kind of fuelled her within her business to want to make products that would help make all Black women — regardless of their hair texture and skin colour — feel beautiful and feel their best.”

There’s another leading beauty culturalist in Self Made, Addie Monroe, played by Carmen Ejogo. How would describe Monroe and Walker’s relationship?

“Addie Monroe was a composite character. Madam C. J. Walker was one of the better-known hair culturalists at the time, but she certainly wasn’t the only one. There were many people, especially after her. So Addie Monroe was a composite of many different women of that day who were also making haircare products.

We felt like that would be a great character to kind of help us explore the issue of colourism and really put it on its feet so that audiences could appreciate what Black women go through in terms of feeling like you are less than attractive if you are not a certain skin colour or if your hair doesn’t look a certain way. We felt like that was really part of Walker’s journey (and part of all Black women’s stories) to understand that we’re all beautiful, and that you don’t have to have a certain skin tone in order to be considered so.

In the show, Addie Monroe and Madam C. J. Walker definitely were two women who started off wanting to help each other and be there for each other, but then the issue of colourism rears its ugly head and becomes a divisive factor. It also spurs Madam C. J. Walker on to do her own thing. I would definitely describe the Monroe-Walker relationship as frenemies, because I feel like part of the arc of that relationship is also to show that no matter our differences, no matter our disagreements and petty arguments, as Black women, we’re always stronger if we come together in the end.”

Let’s talk hair! What research went into all the various hairstyles the actresses and actors wore?

“We felt it was really important to get that right. A’Lelia Bundles’ book was a tremendous resource, and we also had access to A’Lelia herself who knew what the hair formula was and could tell us details about the products that Madam C. J. Walker made. But one of the things we knew we had to do in terms of making the hair look right for the show was to have incredible wigs made. We hired Etheline Joseph, an incredible Toronto-based hairstylist and hair designer who designed the wigs for the show. The research that she did just took the hair to another level.

One of the things that we had discussed with Etheline was making sure that the hair was specific to the period, not only in terms of the hairstyle but also in terms of the quality and texture of the hair. We wanted to do a period piece where the hair didn’t look too smooth and polished because at that time it wouldn’t have been. They didn’t have the same tools, like a blow-dryer or the same types of hair straighteners, that we have now. Even the hot combs where different back then.

Etheline researched how to style the hair the right way. Like she would only use hot combs that had the exact specific distance between the teeth and not something that wasn’t available at the time. That’s something we’re most proud of: the hair actually looks like what it would have back then.

We were also quite stunned when we found period photographs of hairstyles from that day, and just seeing the scope and breath of natural hairstyles people were wearing. We look at the current natural hair movement revolution that’s happening, and we think that we kind of started this look; what we consider forward-thinking hairstyles today. But then you look back to photographs from the early 1900s and you realize, no! People of course were wearing their hair that way for a long time. The hairstyles that we’re seeing today are harkening back to the way people were wearing them naturally back in the 1900s. It was really eye opening.”

How big was Etheline’s hair team on set?

“The team varied depending on the size of the shoot that day. At one point, Ethylene had mentioned she had as many as twenty hairstylists working. When we filmed party scenes or large scenes, there was one point where we had 250 wigs in our wig room!

Even before we got into our official prep for the show, we didn’t start shooting until July 2018, but the month before that, we contacted Ethylene and got her on board and she started doing research and started collecting wigs because we didn’t know who we would have in terms of cast and extras, but we knew we were going to need them, so she was getting ready and styling wigs way before we were even in prep so that we would be ready.

For Octavia Spencer, we had fourteen wigs for her in the first episode in order to show Madam C. J. Walker’s hair journey. Because along with Madam C. J. Walker’s life journey, her hair had it’s own character arc: going from a woman who wore her hair completely covered to a woman who was balding to a woman whose hair was growing in to a woman whose hair was more styled. Telling that journey required fourteen specific handmade wigs.

Similarly, Walker’s daughter Leila Walker, who was played by Tiffany Haddish, she also goes on a hair journey, which is exemplified by Leila coming into her own as a person and becoming this sort of avant-garde leader of the Harlem Renaissance. So her hair goes through a journey of being more natural to more on the cutting edge [side] for that time. Again, it was about creating wigs that were going to exemplify that throughout the course of the series.”

What do you hope audiences take away from watching the miniseries?

“I’m so excited for people to see this because I think people need to know who Madam C. J. Walker was. And not just Black women or women in general. Everyone. She was an incredible force — she helped create this billion-dollar haircare industry that exists today — and were it not for the ‘isms’ that she had to deal with, from sexism to racism, her business could have been much bigger and expansive in the world.

I would love for people to take away that Madam C. J. Walker is a figure in history who is worthy to be looked up as a titan of industry. That she is up there with Rockefeller, Ford and Carnegie. She was a businessperson who ultimately was concerned with her community and uplifting the women in her community. That’s one of the enduring legacies of Madam C. J. Walker. She built this business through persistence, grit and perseverance, but also in a way that other people could follow her example.”


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Avrgbbs Creates Downloadable Colouring Pages From Its 2019 Collection




Imagery courtesy of Instagram/@avrgbbs

Add your own personal touch to the brand’s 2019 collection pieces.

When the going gets tough, creatives get going—that’s certainly the case for Avrgbbs, the Toronto brand currently based in London as part of a fellowship with the Suzanne Rogers Fashion Institute at Ryerson University. Co-designers Julia Payton and Michal Perelmuter, who are known for using upcycled materials in their whimsical pieces, have created free downloadable illustration pages for your mindful colouring time; the adorable illos are inspired by fairytales and feature designs from the duo’s 2019 collection, which debuted at Fashion Art Toronto last April. Here, Payton and Perelmuter share how the pages came to life, what they hope happens to the fashion industry following the COVID-19 crisis, and how they’re passing their time in quarantine.

When did you get the idea to make these colouring pages?

Julia: In 2018, Michal and I collaborated on our undergrad thesis at Ryerson University. Michal focused on a five-look collection and I made an activity book that included colouring pages featuring imagery from the collection. We’ve always been interested in things that can make our designs more accessible and thought colouring pages could be a great way to engage people’s creativity.

Michal: We intended to have another interactive component to compliment our 2019 collection and sketched up some rough concepts for another colouring book. But —as we make everything ourselves—we simply ran out of time and this project got put on hold. A few weeks ago, we were inspired when we saw on Instagram that Toronto-based illustrator Carmen Lew had started her very own colouring project. We thought this would be the perfect time to bring this idea back and help people get transported into their imagination.

Why did you choose to focus on your 2019 collection as the inspiration?

Michal: For our 2019 collection “The tale of two painfully average and nostalgic babies”, we had just finished university and were both feeling overwhelmed by the uncertainty of our future. We turned to fairytales and dress up as a way to temporarily transport us somewhere else. Therefore the scenes we drew merged mundane activities from our everyday lives (like surfing the web, sleeping and eating) with fantastical environments.

Julia: We see fantasy not as escapism but rather a tool to imagine new possibilities and develop creative solutions to the problems our world is facing. Now more than ever this theme seems relevant as we all face challenges and have to adjust to a new form of living. There are so many uncertainties but this is a good opportunity to contemplate what we want our future to look like.

Are you referencing any fairytales in particular in the illustrations, or are they more from your own imaginations?

Julia: They are mostly from our own imagination as we try to mix themes of 21st-century life with classic fairytale imagery.  That said we definitely absorbed a lot of movies and stories while making this collection. We were definitely influenced by childhood favourites like Sleeping Beauty, Labyrinth, Alice in Wonderland and more recently discovered stories like Donkey Skin. I also was inspired by H. J. Ford’s illustrations for Andrew Lang’s fairy books.

How long did the illustrations take to complete? And how did the process of creating the pages work between the two of you?

Michal: Collaboration is an integral part of our creative process so we always work on everything together. We come up with a concept for each illustration together and then Julia does a few quick thumbnails to flesh out some different compositions. Then I draw a more detailed sketch on paper, which Julia digitally finalizes. That way there is a little bit of both of us in everything we make.

Aside from colouring and drawing, what have you been doing to pass the time during quarantine?

Julia: We are using this time to re-evaluate our design process. We are currently challenging ourselves to design with only the materials that we currently have in our home. We are really excited to play with this Disney princess duvet cover we found at a charity shop and have a ton of latex scraps. Depending on how long this goes we might even start taking apart our own wardrobes….

Michal: I’ve also turned into a domestic God, cooking, cleaning, yoga, sewing and reading Harry Potter for the first time.

Julia: And we’ve been watching A LOT of Law & Order: Special Victims Unit.

What do you hope will happen to the fashion industry after this crisis has ended?

Michal: I would love for the industry to come out of this with a completely different set of values. I hope the fashion cycle starts to dissolve, fast fashion and overproduction crumble and we elevate smaller and more independent voices that challenge the status quo.

Julia: I hope the industry becomes more empathetic and there is a greater embracement of craft. Fashion is about people; it’s about diverse bodies and backgrounds, sharing techniques and stories from different communities. It’s emotional and that’s important.

What’s been your mantra for making it through quarantine?

Julia: Time is just a silly illusion.


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The Most Comfortable Spring Dresses




I’ve been relying on my sweatpants and workout clothes more than I’d like to admit lately, and I’ve been craving some sense of normalcy in the form of my everyday clothes. However, I don’t want to sacrifice comfort or convenience. That’s why I’ve been gravitating towards a few great dresses recently. Yes, dresses. In my humble opinion, they’re just as comfortable as pants, sometimes even more so. If you pick the right fabrics and styles, they can become your go-to look, even if the only place you’re going is to the kitchen.

From pretty shirtdresses to classic t-shirt styles and picks with pops of color, these 20 styles are exactly what you’re looking for right now. They’re the easiest outfit ever, and will go a long way to making you feel more like yourself. Just keep reading to shop our picks!


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